This book has three faces. On one hand, it aims to be a reference manual; on the other hand, it invites a collective effort to delve into the mystery of this first drama of reincarnation, both intellectually and artistically, as well as artistically and intellectually, exploring its premieres; and thirdly, it is a novel that seeks to make the unimaginable nature of this historical event, as far as possible from a temporal distance, experiential, connecting it to the works and stage events of Aeschylus, Shakespeare, Goethe, Schiller, and many other poetic geniuses. Thus, the book is an attempt to seek the past as accurately as possible, not to settle in it like in a museum and rest reflectively, but to equip and inspire oneself with the intentions and achievements of all those involved at the time, particularly in the contemplation of the creative genius Rudolf Steiner himself. May this book contribute to gathering forces and standards for one's own understanding, internalization, and representation of the four mystery dramas.