The Invention of Modernity in One Night "Midnight in Paris" is the title of Anton Henning's latest exhibition; clearly, the title is borrowed from Woody Allen. Claudia Emmert, the director of the Zeppelin Museum in Friedrichshafen, which is located in the only historically documented Bauhaus building in the Lake Constance region, emphasizes in her introductory contribution the coincidence between the Allen film and Anton Henning's approach. Here is the presence of painting, which has been declared dead with beautiful regularity for a hundred years, and there is the emergence of modernity, as it initially unfolded in painting, until Duchamp entered the scene. But how does one bring these ends together today, and how does one deal with the expansive installation situations that have since thrived in the White Cube? Anton Henning designs a counter-model: the exhibition and book return to the beginnings.