Germany at the bottom, Germany at the top - and in between: Stuckrad-Barre, with pen, paper, and camera. In 2001, he published "Deutsches Theater," the "photo-novel of a society that can only come to itself in public and through role-playing." Now the sequel is being released: reports, portraits, stories, monologues, and dialogues - a moral portrait of our time. Election campaigns, strikes, demonstrations, consumption, football, cinema, theater, music, literature, fashion, urban life, long-distance travel. Politics, culture, society. With his method of participant observation, Stuckrad-Barre finds moments of truth amidst events that are meant to obscure them. His perspective constantly shifts between the outside and the inside, revealing insights not only about all the other people but also about himself, the observer. And thus, it emerges.