The book "The Theater of Daniil Kharms as a Structural Type of 'Other' Theater" offers an in-depth analysis of the innovative approaches of Daniil Kharms and the Oberiuten. Kharms aimed to develop a language that transcends the ordinary and crosses the boundaries of reason and rationality. In his works and on stage, he parodies everyday banalities as well as pseudo-philosophical approaches and empty rhetoric. This critical engagement with reality is evident not only in his texts but also in his personal behavior, which he stages as a kind of one-man theater. The analysis highlights how Kharms and his contemporaries challenged the conventions of theater and sought new forms of expression to represent the complexity of human experience.