The book offers the first theoretical representation of the scientific discipline of design history based on a systematic discussion of its specific concepts, theories, and methods. It is particularly aimed at students specializing in design and art history, as well as related fields. Initially, the author explains the emergence of design history from art history and delineates the research subject of the discipline. He then examines the relationship to craftsmanship and the role of the designer and their products, before placing design within a complex network of social contexts in a model. A chapter on general issues of historiography highlights the field as a sub-discipline of historical research, while the most extensive chapter focuses on the various approaches to design historical questions.