If one wants to speak of the comic as a work of visual-textual art, then this is a prime example, says Andreas Platthaus from Frankfurter Allgemeine Zeitung. Julia Hosse playfully illustrates the questions of the reliability of memory, personal identity, and the brutality of time. How do we remember? How do we remember differently? What do memories consist of? In six stylistically varied chapters, the graphic novel depicts the fragmented nature of memory: sometimes with more text, sometimes with less, sometimes with ink or pencil, sometimes flat, and at other times linear and painterly. Despite the differences, Julia Hosse has created an impressive Gesamtkunstwerk. She weaves a narrative through the childhood memories of the women in her family across several generations: from the video-captured memories of the dinosaur park and her sister's first day of school.