It is now the generation of the post-born that must ensure awareness and understanding. Ulla Berkéwicz's book is not a documentation. It is a novel that, through its own artistic means, fiction, and empathetic recreation, manages to transform the murky into clear form, making guilt recognizable rather than assigning it. This novel boldly ventures into the language and imagery of horror, naming them to resist the seduction of evil. With this novel, the author describes the story of Reinhold Fischer, who becomes entangled in the thoughts and emotions of National Socialism and, drawn in by the new "message of salvation," becomes both victim and perpetrator. The book does not accuse results but rather the conditions and roots. It does not interpret.