Photography has always held a special place in John Berger's work. This volume brings together for the first time his essays on photography, from the 1960s to the present: a small art history of visibility. Whether he writes about the work of great photographers (August Sander, Paul Strand, Henri Cartier-Bresson, among others), analyzes the political use of photomontage, or compares the photograph of the dead Che Guevara with a painting by Rembrandt, he does so with the eyes of a painter and a writer. The moment of photography, which gives meaning to a unique instant, allows Berger to tell stories in a different way and to take a critical look at the present.