Giebe praises in his essays those true painters whose works have inspired him - Pablo Picasso, Oskar Kokoschka, Max Beckmann, and Bernhard Heisig. In gratitude, he sets off intellectual fireworks for these greats. However, he does not speak to explain his paintings; he does not elaborate on anything. Analytical assistance for deciphering his images cannot be expected from the texts presented here. Much more, he is driven to public speaking and writing by something else. Giebe expresses his provocation by the intellectual decline of the art market. He attempts to uncover the causes of this absurd crash. He seeks to understand and articulate the market mechanisms behind the successful celebration of post-postmodern art kitsch. The theoretical mega-discourse on art, says Giebe, oscillates between trivialization and canonization, between bizarre and elevated.