Even at the first immersion in Chassot's architectural photography, the eye is bathed in a wealth of scenes from the repertoire of outstanding, contemporary international architecture. Each of these photos captures a prototypical motif. The use of color, line, lighting, and photographic techniques is so precisely executed in each image that the viewer feels transported to a visual laboratory where photography interprets architecture in its own language. The author Wolfgang Meisenheimer explores in the text the foundations of Chassot's photographic worldview and distinguishes three layers of thought in which the work is rooted: the Euclidean orders, the orientation towards modern body philosophy, and the legacy of Cubism from the beginnings of modern painting. Architects and buildings: Frank Gehry, Guggenheim Museum Bilbao, Spain; Frank Gehry, Neuer Zollhof, Düsseldorf.