The cinema of New Hollywood is one of the most exciting eras of American film. Content-wise and aesthetically extraordinary productions—from Bonnie and Clyde to Easy Rider to Taxi Driver—reflect the socio-political events of the 1960s and 70s in the USA with unprecedented radicalism. New Hollywood is a cinema of deconstruction and reconstruction of the American Dream—the reform and renaissance of the dream factory. It is a cinema of outsiders and "wunderkinder." Among them are directors whose work is now almost defined as "classic"—Altman, Coppola, Scorsese—but also filmmakers (and only a few female filmmakers) who are less well-known today—Henry Jaglom, Bob Rafelson, Haskell Wexler, Barbara Loden, and writer Carole Eastman—whose films deserve to be rediscovered. New Hollywood 1967-1976 includes.