Contents: Guy P. Marchal: Foreword - Edgar Bierende/Sibylle Hoiman/Anna Minta/Matthias Noell: Introduction - Claudia Hermann: Swiss Railway and Mountain Idyl in Private Gardens. Model Railroads of the First Half of the 20th Century - Tobias Pfeifer-Helke: Border Walks of the Line. On the Drawing of the Alps and its Consequences for Landscape Representation around 1800 - Christian Féraud: Salomon Gessner as a View Engraver: The Landscapes for the Helvetic Calendar, 1780-1788 - Jörg Matthies: Garden Art and Orangeries as Instruments of Self-Presentation of the Nobility in Solothurn - Matthias Walter: The Oberländer Church Tower in Reform Architecture around 1900 - Symbol of a Swiss National Romanticism? - Matthias Noell: "An Image Full of Contradictions." Swiss Monuments and their Documentation in the Inventory - Regine Abegg: Late Gothic Flat Carving around 1900: Discovered and Revived as "Old Swiss Arts and Crafts" - Claudia Selheim: Export Hit of Swiss Folk Culture at the Germanic National Museum Nuremberg - Daniel Hess: The "Swiss Plate" and the Construction of a Helvetic National Culture - Rebekka Köppel: National Staging in Glass. Class Plates Cycles as Monuments of the Swiss Confederation - Edgar Bierende: Strange Images and Stories: Nicholas of Flüe in the Reception of the 18th Century - Anna Minta: Republican Heroes. National Monuments in Switzerland and the USA - Stefanie Wyssenbach: Monument Discussion in Switzerland. The International Reformation Monument in Geneva, 1909-1917.