The American Richard Tuttle (1941) is among the solitary poets of contemporary artists. His central theme is the ongoing transformation of image forms. Christine Jenny highlights the connections between the individual, seemingly disparate groups of works. Richard Tuttle repeatedly alters existing forms of art like few other artists. Yet, despite the diversity and fragmentary nature of his work, it forms a cohesive whole. The tradition of dissolved genres and the engagement with established forms of expression play an important role in this. In the divergent design of the outline, in the relationship between figure and ground, and in the physicality of the objects, Jenny finds the appropriate categories for extensive analyses. This approach reveals the breaks, transformations, and ambiguities that characterize Tuttle's work.