As the culmination of his long shadow path, the author presents a cross-thought poetization of one of the most famous and historically significant places in Munich. Originally, this text, image, and sound oratorio was intended not as a book, but as a performance. It features an exclusive blend of artist's book, cultural action, guide, and word installation, which transforms into extraordinary poetry. The sequence of the seven performances is characterized by developmental sequences of a student who traverses various phases of poetry in different roles. At the center (3rd station) is Königsplatz with its buildings, history, poetic potential, and the activation of divine voices. This is preceded by the first poetic experience with painters and their works. Following that, the poetization of the two Nazi buildings becomes apparent through the acclamation of artistic positions.