Max Bill (1908-1994) remains a key figure in the applied arts of the 20th century in Europe and one of the most influential exponents of concrete and constructive art. Universally talented, he was a true Renaissance man, creating a rich and diverse body of work as an artist, graphic designer, typographer, and architect, while also frequently serving as a teacher. He was a co-founder of the legendary Ulm School of Design, for which he designed the main building and served as the founding rector from 1951 to 1953. The new edition of this monograph, first published in 2008, offers insights into essential aspects of Bill's life and work. The sculptures, paintings, furniture, everyday objects, and typographies depicted within, mostly from private collections, are rarely seen in exhibitions. The texts and a conversation with Angela Thomas Schmid shed light on Bill's contributions.