With contributions from Hina Berau, Sabine von Fischer, Claudia Hardi, Nicola Hirner, Ursula Horvath, Christine Huber, Christian Hutzinger, Benedikt Ledebur, Franziska Lesák, Maya McKechneay, Gregor Neuerer, Richard Obermayr, Katrina Petter, Daniela Praher, Elisabeth Priedl, Thomas Raab, Elisabeth von Samsonow, Hemma Schmutz, Lorenz Seidler, Andrei Siclodi, Claudia Slanar, Friedrich Tietjen, Georg Wasner, and Jane Wei, as well as a literary text cycle by Judith Fischer. Selected examples of Judith Fischer's transdisciplinary work from the years 2000-2010 are presented: In the area of conceptually built for the gaze and thought. The terrain of horror films. Captured phenomena. Ghosts of women's shelters. "Coming from literature, that is, from reading and advanced writing, approaching visual art from this direction, the dialogical assembling and rearranging of material, the re-engagement and chain formation, the intertwining and shifting were early practiced techniques for Judith Fischer. Her artistic activities are situated in a border area of literature, theory, film, space, and visual arts." (Hina Berau).