The concept of epic theater is inextricably linked to the name Bertolt Brecht. Through his significant influence, theater was completely rethought and developed in the 20th century: it was meant to be emancipatory, enlightening, and revolutionary. This volume serves as an introduction to Brecht's theater theory, his teaching pieces, and his practical work at the Berliner Theater. Some of his most important plays and opera texts are examined for their epic and anti-Aristotelian elements. Another focus is on Brecht's teaching pieces and their impact on the individual. Contents include: Marxism and epic theater; Brecht's work at the Berliner Ensemble; elements of epic theater in: "The Rise and Fall of the City of Mahagonny," "The Good Person of Szechwan," "Life of Galileo," "The Threepenny Opera," "Mother Courage"; Brecht and Ar.