"Screening the Face" by P. Coates is an academic book that explores the representation of the face in film. Coates examines how the face serves as a symbol for transformations and reflects both the experiences of modernity and significant myths, such as that of Medusa. The book provides a comprehensive analysis of a variety of European and American films, including the iconic work "Persona" by Ingmar Bergman. By considering the face as a central element in cinematic art, it offers deeper insights into the cultural and psychological dimensions of visual storytelling. The paperback edition and the objective approach make this work a valuable resource for students and professionals in the fields of film studies and media analysis. Published in 2012, the book offers both theoretical and practical perspectives on the role of the face in film and its impact on viewers.