Born in Zurich in 1970, the abstract artist Andrea Winkler intervenes in the exhibition space and creates spatial images from multi-part installations that vary significantly depending on the viewer's perspective. By combining sculptural elements with colored papers, graffiti, and barriers that dictate the path through her spatial image, she not only plays with moments of emptiness and vagueness but also leads viewers into an extreme close-up or a distant overview. Winkler's installations are coherent, yet they do not reference any prototypes, as the title suggests; they simply function, exhibiting a kind of magnetic quality that blends improvised ease with aesthetically strict stylization. This brilliance, reminiscent of what celebrities might exude, is also inherent to the art when it is present.