The drawn installations that Nic Hess realizes in temporarily occupied spaces connect his work with that of other artists in a complex system of lines, surfaces, quotes, and fragments of realistic painting that transcends the space. For the art historian, this represents an attempt to create a contemporary scenic narrative space - "like the interplay of memory space and pictorial narrative, like a narrative space that the viewer can often grasp as a whole with a single glance or select by moving back and forth through juxtaposing and layering the elements," as Renate Wiehager puts it. This naturally introduces an exploratory flight for the eye and repeatedly touches on the dialectical relationship between image and time, as moving back and forth is always based on a temporal structure. This elegance of strolling.