Good at omission! Sofie Bird Møller is "very good at omission," according to Wilhelm Schürmann, the prominent collector and exhibition organizer from Aachen. In his introductory text, he ties her admired omissions and overpaintings together. The still modest oeuvre of the student of Günther Förg is documented and presented comprehensively for the first time with this solo publication. Perhaps the most astonishing aspect of these overpaintings, which work just as well in small formats as on the large overpainted billboards that the young artist has executed at various times "at night" in Munich, London, and Berlin, is that the subject for this kind of expressive attack seems perfectly suited, as if a terribly boring circumstance had been waiting for this ecstatic moment, this kind of explosion.