Manoel de Barros is a significant representative of contemporary Brazilian poetry. His poetry was born in the Pantanal, in southern Mato Grosso, Brazil, and addresses the current challenges of human existence. His lines often confuse meaning and transcend the limits of what can be articulated. Manoel de Barros' language opens new paths and incorporates the unknown. Through unusual associations of images, he makes the impossible possible. Britta Morisse Pimentel presents this poetry in transition in 70 fragments of his work, linking it with photographs of human realities and the natural Brazilian countryside. Manoel de Barros is one of the strong voices of contemporary Brazilian literature and has published around 30 books. His poetry emerges from the Pantanal and reflects the challenges of modern humanity. He has read the classics and contemporaries, both Brazilian and Portuguese, as well as other European languages, drawing from this education to create powerful, vivid, and syntactically revolutionary poetry. His verses destabilize the senses and push the boundaries of what can be said. His language opens new avenues and shapes the unfamiliar. The unusual associations of images make the impossible possible. This poetry in its emerging state is showcased by Britta Morisse Pimentel in the 70 fragments gathered here, as an example of the poetic universe of Manoel de Barros, connected with photographs of human reality and the Brazilian natural landscape.