Through idiosyncratic readings of Adorno, Heidegger, Derrida, Levinas, Kafka, and Handke, the book presents death in a kaleidoscopic variety. It traces a way of standing still with death. Adjusted to the gravity of death, things rearrange themselves. The types of death are the gaits of this standing still with death. The book gives voice to the language of death, which continues to speak and whisper throughout life. The author extracts a consciousness-altering power from death that radiates onto perception, dwelling, writing, naming, and being-with. Here, death is not merely a content of consciousness. Rather, the types of death describe metamorphoses of consciousness itself. The book moves towards a human finitude that transforms the boundary into vast spaces of human existence. Thus, death unfolds habitable spaces for the mortal human being.