Walter Benjamin's philosophically literary "One-Way Street," published in 1928, is presented in a facsimile of the first edition. Benjamin's collection "One-Way Street," published as a constellation of thought fragments, anticipates the open form that would characterize his later projects, including the "Arcades Project." The book's aesthetic design, presented by Rowohlt Verlag, is remarkably advanced for the experimental spirit of the late 1920s, from the cover to the choice of typeface and the distinctive pagination. The composition of the text is not only externally linked to this specific form but is also reflected within it. For study purposes, it is essential to base one's work on the slim volume, meticulously corrected by Benjamin, in the design layout of the first print. The afterword by Roland Reuss addresses the textual criticism issues present in the original and provides a detailed account of the text's printing history.