The disturbingly beautiful aspect of these poems is their unreserved, liberating, and unpretentious decisiveness, which is conveyed from verse to verse and almost in a whisper. José F.A. Oliver describes certain chapters in black, small blue, drawn red, or through green. Colorful moods also permeate his poems: concise sketches, perceptions of a world that consists not only of shadows and light but also of colors ranging from sad green to capricious orange. The lyrical handwriting of Magdalena Kauz clearly reveals the filmmaker behind the author: she virtuously translates images and sounds, perspectives and cuts into language, condensing impressions and experienced images into words, creating a literary memory machine. A new voice in poetry: poems in a clear, concise language.