The texts compiled in zaroum, notes for soloists, and l'usage du mot are part of a project called zaroum. They are short, minimalist texts that primarily emerge in English, German, and French, or work with the phonetic similarities and shifts in meaning between these languages. The starting point is often an idea, a word, or a quote that is shaped and then develops a tone, rhythm, or even a melody during the presentation. Thus, both sequences, notes for soloists and l'usage du mot, serve as scores, while in the first volume zaroum, visual aspects are particularly emphasized alongside the content. The texts are underpinned by a distrust of language itself, which is often used as a seemingly infallible tool, even though it is the result of long, complex, and somewhat random processes.