Best selling Audio interfaces from RME Audio
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1. RME Audio RME Fireface 802 FS audio interface with XLR cable
The RME Fireface 802 FS Audio Interface is a highly advanced USB 2.0 device known for its outstanding sound quality and extensive functionality. With 60 audio channels and an impressive audio resolution of 24-bit/192 kHz, it is ideal for professional applications in music production, live recording, and post-production. The integrated DSP mixer offers a variety of effects, including EQ, dynamics, and reverb, which can be processed directly within the interface. The four analog microphone preamps with gain control ensure precise signal processing. The Fireface 802 FS supports both driver-based USB operation and Class Compliant mode, allowing for seamless integration with various operating systems. Additionally, it can operate as a standalone device, providing extra flexibility for use in different environments.
- Integrated DSP mixer with effect section (EQ, dynamics, reverb)
- Active SteadyClock FS jitter suppression for improved sound stability
- DC-coupled outputs for all analog line outputs
- TotalMix FX software for comprehensive mixing and routing
- Standalone operation possible without computer connection.
2. RME Audio Interface Fireface 802 FS AE with remote control and extension
The RME Audio Interface Fireface 802 FS AE is a highly advanced USB 2.0 audio interface designed for professional applications. With an impressive number of 60 audio channels and a sampling rate of up to 192 kHz, it offers outstanding sound quality and stability. The integrated microphone preamps and comprehensive effects section allow for precise sound processing, while the SteadyClock FS technology ensures active jitter suppression. This model is a special edition released to celebrate the 20th anniversary of the Fireface series and is available in an elegant black design. User-friendliness is further enhanced by the option for software remote control and support for stand-alone operation. The Fireface 802 FS AE is therefore an ideal choice for anyone who demands the highest standards for their audio recordings.
- 60 audio channels with 24-bit/192 kHz resolution
- Integrated DSP mixer with effects section (EQ, Dynamics, Reverb)
- SteadyClock FS technology for active jitter suppression
- DC-coupled outputs for all analog line outputs
- Support for driver-based USB 2 operation and Class Compliant mode.
3. RME Audio RME Fireface 802 FS AE
The new model impresses with its elegant dark design, inspired by the successful ADI-2 series. The Fireface 802 FS AE is technically identical to the Fireface 802 FS and offers the same powerful features and functions, including 60 audio channels, high-end microphone preamps, reference-class converters, a complete electronics section, and operation at up to 192 kHz. Active jitter suppression with SteadyClock FS, DC-coupled outputs for all eight analog line outputs, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, the metering and analysis toolbox DigiCheck, as well as identical operation on Windows PC and Mac complete the package. The feature set also includes the optional Class-Compliant mode (full 30-channel I/O at up to 192 kHz) and operation with TotalMix FX for iPad. RME's app for complete control of the Fireface 802 FS AE from the iPad allows full control of the device - entirely without a computer. The alternative CC mode can be easily activated via a recessed button on the back of the interface. Control of TotalMix FX, including the latest Room EQ function, is now also possible - thanks to the USB-A port for direct connection of the optionally available ARC USB or ARC USB (Black Edition).
4. RME Audio RME Madiface XT II USB audio interface with 2 XLR cables
The RME Madiface XT II USB audio interface is a state-of-the-art device designed for professional audio applications. With its USB 3.0 technology, it enables fast and reliable data transfer and supports up to 394 channels with an impressive resolution of 192 kHz. This interface is suitable for both live use and studio applications, offering a variety of connection options, including two transparent microphone/line preamps and balanced XLR outputs. Its compact design allows for easy integration into various setups, while the rack-mount option provides additional flexibility. The innovative RME technology ensures outstanding audio processing and low latency, making it an ideal choice for demanding audio professionals. Additionally, the device features room EQ with nine parametric bands and the ability to be controlled via an ARC USB remote control, further enhancing user-friendliness.
- Supports up to 394 channels with 192 kHz resolution
- Two transparent microphone/line preamps
- Integrated MADI connections for seamless system integration
- Room EQ with nine parametric bands for optimized sound shaping
- Lower THD value in AD conversion for improved audio quality.
5. RME Audio RME Digiface Ravenna USB audio interface with cable
The RME Digiface Ravenna is a state-of-the-art USB audio interface specifically designed for professional audio applications. With a newly developed Ravenna module, it allows the transmission of up to 128 channels over Ravenna and 64 channels over MADI, making it a powerful solution for complex audio setups. The interface supports an audio resolution of 24-bit and a sample rate of up to 192 kHz, ensuring outstanding sound quality. It can be used both in USB mode and in standalone mode, providing flexibility in various application scenarios. The intuitive control is managed through TotalMix FX, which enables real-time adjustments, and the integrated headphone output offers quick and precise playback of all audio channels. The RME Digiface Ravenna is therefore ideal for mobile applications and professional studio environments.
- 256 channels (128 input / 128 output) via USB 3.0
- Real-time adjustments via TotalMix FX and Ravenna web server
- Standalone operation as a mobile 64-channel Ravenna/MADI converter
- Support for AES67 and ST2110-30/31
- Redundant audio-over-IP streaming according to ST2022-7.
6. RME Audio Interface Fireface 802 FS with remote control and extension
The RME Audio Interface Fireface 802 FS is a highly advanced USB 2.0 audio interface known for its outstanding sound quality and extensive functionality. With a maximum sample rate of 192 kHz and a 24-bit audio resolution, it offers excellent audio processing for professional applications. The interface is equipped with four analog microphone preamps featuring gain controls, as well as an integrated DSP mixing section that provides effects such as EQ, dynamics, and reverb. The ability to use the device in standalone mode adds to its flexibility. The SteadyClock FS technology ensures precise jitter suppression, while the DC-coupled outputs allow for versatile use. The Fireface 802 FS is ideal for users who value sound stability and low latency and do not want to compromise.
- Integrated DSP mixer with effects section (EQ, dynamics, reverb)
- Active SteadyClock FS jitter suppression for improved sound quality
- DC-coupled outputs for all analog line outputs
- Class Compliant mode for easy use without proprietary drivers
- Remote control and USB extension included.
7. RME Audio RME M-32 DA Pro II-D 32 channel DA converter
32-channel 192 kHz D/A converter with MADI & Dante I/O, 1 HU
The M-32 Pro II series has been designed to meet the demanding requirements of professional studios, immersive sound installations, live sound systems, and industrial applications that need a reliable analog converter solution with high-end network audio processing. These new converters are available with either 32 analog inputs or outputs and AVB for a selection of four different models. With up to 32 channels, full MADI I/O, improved specifications with extremely low distortion, intelligent channel routing, and innovative user-friendliness, the new M-32 Pro II series represents the latest technology for exceptional audio performance.
The highly requested Dante connectivity has been directly integrated into the hardware of the M-32 Pro II-D by RME. It allows connection to other audio devices via standard network switches and enables users to connect up to 64 audio channels from a computer directly to the analog and digital inputs and outputs of the M-32 Pro II-D using the Dante Virtual Soundcard™ (license sold separately).
In the context of an ever-changing landscape of network audio solutions, the challenge for the RME development team was to create a high-performance device platform that guarantees unparalleled flexibility and stability for years to come. To meet these high demands, everything was developed from the ground up. By integrating Audinate's Dante IP core on a specially developed RME FPGA platform, RME not only offers a highly flexible solution but also takes a significant step closer to achieving a truly universal audio networking experience.
8. RME Audio RME Madiface USB interface with USB power supply
The RME Madiface USB interface is a versatile solution for professional audio applications. With 64 inputs and outputs, it offers extensive possibilities for mixers, routers, format converters, stream splitters, and signal repeaters. The interface is suitable for both mobile use and stationary applications in home studios. It supports high audio quality with a resolution of 24-bit and a sample rate of up to 192 kHz. Power is supplied via USB, making it easy to handle. The Madiface USB is equipped with the DSP mixer TotalMix FX, which provides a variety of routing and monitoring options. Additionally, the DIGICheck software allows for precise analysis of digital data feeds. Its robust construction and various operating modes make the RME Madiface USB an optimal choice for anyone needing a reliable and powerful audio interface.
- 64 inputs and outputs for comprehensive audio applications
- Bidirectional format converter and active repeater
- Integrated DSP mixer TotalMix FX for flexible routing options
- DIGICheck software for digital data analysis.
9. RME Audio RME Fireface UCX II interface with 2x XLR cables
The RME Fireface UCX II is a state-of-the-art USB audio interface designed for both studio and live applications. With a compact design that fits into a half 19-inch rack, it offers a wide range of features and outstanding audio quality. The interface supports up to 20 input and output channels and is equipped with advanced features like TotalMix FX and DURec. The digital control of inputs and the ability to utilize professional DSP effects make it a flexible solution for creative audio applications. The combination of analog and digital connections allows for seamless integration into existing setups, while phantom power and high-quality AD/DA converters ensure precise sound reproduction. The user-friendly design with a color display and intuitive controls makes it easy to operate, whether in the studio or on stage.
- 20 input and output channels for versatile applications
- Professional DSP effects for creative sound design
- Digital control of microphone and instrument inputs
- Comprehensive connectivity options, including MIDI and ADAT
- Compact design for easy integration into various setups.
What our customers think
Pro
- RME-typical product maintenance with regular updates for firmware and drivers
- Support, Software
- Drivers are mega
10. RME Audio Babyface Pro FS
The RME Audio Babyface Pro FS is a state-of-the-art audio interface designed for professional applications in music production and audio technology. With 24 channels, including 12 input and 12 output channels, it offers a variety of connectivity options, including analog inputs and outputs as well as digital interfaces like ADAT and SPDIF. The aluminum block construction not only provides an appealing look but also ensures high stability and durability. The innovative technology enables outstanding sound quality that makes no compromises even in demanding applications. The integrated microphone preamps offer high gain and are equipped with digital control, allowing precise adjustment of phantom power. The Babyface Pro FS is therefore ideal for musicians, sound engineers, and producers who value the highest audio quality and flexibility.
- 24 channels with 12 input and 12 output channels
- High-quality analog and digital circuitry for excellent sound quality
- Digital control of phantom power for microphone inputs
- Independent amplifier stages for headphone outputs, suitable for various impedances
- Compact and robust aluminum construction for maximum mobility and durability.
What our customers think
Pro
- Robust (aluminium)
- Quickly set up
- Familiar quality
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