How does she always manage to wrap him around her finger? And why does she do it when she simultaneously dismisses his genuine feelings so harshly? Even as a rebellious teenager, she turns young Ricardo's head in conservative Lima during the 1950s. From then on, she will regularly cross his path, appearing in Paris, London, Madrid, or Tokyo, sometimes as a guerrilla fighter, sometimes as a con artist with a false passport, constantly throwing his life into chaos. Mysteriously, it seems that both are destined for each other; or is it just him who cannot let go of this fascinating "bad girl"?.